【#香港故事：師傅來了
】Marco細細個就喺爸爸嘅鞋廠
打滾，邊學邊做，打算子承父業，可惜鞋廠失火倒閉。Marco其後轉行至手袋
行業，同樣都係皮革生產，但Marco發現 #手袋製作 更具挑戰，尤其係手袋嘅紙樣設計
，會因應結構、併合等複雜程度，仲有用咩皮料而受影響 。
Marco開辦自己嘅工作室，同一般皮具工作坊唔同嘅係，佢會教授行內專業皮具生產嘅方法，所以吸引咗一啲行內嘅人嚟報讀。咁樣又算唔算係傳承呢
？Marco認為，先要提升年輕一代對呢門手藝嘅興趣，先有辦法傳承。
目前，Marco正集畢生所學去創立手袋品牌，預祝佢順利之餘，不妨可以留意今集（9月23日）《#香港故事 ─ #師傅來了2》
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香港故事 師傅來了2：紙樣人生 第一節
香港故事 師傅來了2：紙樣人生 第二節
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《香港故事 ─ 師傅來了2》
逢星期一 | 7:35pm
rthk.hk/tv/dtt31/programme/hkstories61
From a young age, Marco was immersed in his father’s shoe factory, learning and working with the intention of inheriting the family business. Unfortunately, the factory closed down due to a fire. Marco later transitioned to the handbag industry, which also involved leather production, but he discovered that #handbag manufacturing was more challenging, especially in terms of pattern design, which is influenced by factors such as structure, assembly complexity, and the type of leather used. Marco opened his own studio, which differs from typical leather workshops in that he teaches professional leather production methods used in the industry, attracting people already working in the field to enroll. Could this be considered a form of inheritance? Marco believes that to truly pass on the craft, it’s necessary to first increase the younger generation’s interest in this artisanal skill. Currently, Marco is applying his lifelong learning to establish a handbag brand. While wishing him success, you might want to check out this episode (September 23) of “#Hong Kong Stories – #The Master In The House 2”